Posts Tagged ‘Lone Ranger’

Guest blog: Angela Aleiss, Ph.D.

Wednesday, February 3rd, 2010

I saw a working print of Reel Injun and felt that Neil Diamond made it truly “from the heart.” Many documentaries are little more than a series of talking heads and nifty sound bites spliced together, but Neil tells a story of his own journey from northern Canada and across the U.S. to Hollywood to understand the enduring image of Native people in motion pictures. While I don’t always agree with the artists’ comments, I found Neil’s approach genuine and refreshing. I believe audiences will be touched by Neil’s struggle to “recover” the identity of indigenous people in North America.

My only qualm about Reel Injun is that there’s no mention of the late Jay Silverheels, who earned a reputation playing the Lone Ranger’s sidekick Tonto but also appeared in close to 30 feature films. The Canadian Mohawk actor (born Harold J. Smith) was a middle-weight boxer and harness racer; he served on the Board of Directors for the Screen Actors Guild and founded the Indian Actors Workshop. Jay was a tireless supporter of Native American causes, yet too many overlook his contribution to the film industry. Perhaps Re[z]olution Pictures will someday develop his story.

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On another note, I regret that during my interview for Reel Injun I did not mention the Native American roles in the Twilight series. The author of the books, Stephenie Meyer, is a Mormon, and the Quileute images of Twilight are closely tied to the Latter-day Saints’ belief that they share a common ancestral heritage with Indians (who, according to the Book of Mormon, are related to the ancient Hebrews). Few readers have picked up on that theme. But it is a topic of my current project on the Twilight books and movies. Stay tuned.

Angela Aleiss, Ph.D., Film Historian

The author of Making the White Man’s Indian: Native Americans and Hollywood Movies (Praeger, 2005), Dr. Aleiss was a contributing writer for such publications as the Los Angeles Times, Variety, Hollywood Reporter and Religion News Service, and has been interviewed by National Public Radio, Voice of America and E! News Daily. Dr. Aleiss is a former postdoctoral fellow at the American Indian Studies Center, University of California, Los Angeles (UCLA), and a Fulbright Fellow at the University of Toronto. She is currently a visiting assistant professor at UCLA.

Guest blogger: Wes Studi

Wednesday, January 13th, 2010

I’m anxious to see Reel Injun, having enjoyed the interview in NYC back in 08. I remember the windy streets and how hard the crew worked to get us on camera in a timely fashion.

Having worked in the film industry for a number of years, I have portrayed a wide range of American Indian characters from history and contemporary times both fictional and factual. I have always tried my absolute best to portray us in a positive light. I have learned, however, the best positive light is always open to interpretation. If my character speaks in ‘broken english’, its because there was a time in history when we did not have the command of english we now sometimes flaunt. And this speech pattern is indicative of the era, in which the story is told. As part of the story telling mechanism of society, we as actors need to stay true to historical fact. How would it look if we as Indian characters of the past spoke in say Shakespearean english or valleyese? A comedy, right? In any case, I for one would never stoop to using that kind of english in a contemporary story. Or would I? What if it was for comedic effect, as when a non-Indian would say “how”. I would love to answer a stoic “Scrambled”.

While I do not enjoy watching the character of “The Drunken Indian” stereotype I do not deny that he or she exists in our world, both historically and in present. If the character adds to the story and can influence even one audience member to avoid this kind of behavior, I think the character has served its purpose. Films are stories that relect us and our cultures. We all live in the same world. Our perspectives, opinions and attitudes are what differentiate, and make us all unique.

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My take on the “white saviour” myth is that its more justification for the doctrine of democracy. Just as we continue to this day to spread its use by all nations of the world without thought that another method of governance may work for another people. This is perhaps the reason I so enjoyed the stories written by Tony Hillerman, as in “Skinwalkers, Coyote Waits, and Thief of Time” The very first book of his I read, has the duo of Chee and Leaphorn investigating a case of murder, and in the back of my mind, I kept wondering when the “Lone Ranger” or some such non-indian would come along to “show them the way”. Well, it never happened. Amazing eh?? These are the kinds of stories our young people need to see, and we as elders need to tell. Because we as Indians are capable of taking care of ourselves and the films and television we watch should reflect that fact.

And yes! we need to tell our own stories, and yes we need to rectify the stereotypes,….And we need to learn how to adapt our stories to meet a worldwide standard and touches the heart of every soul in the world!!

Wes Studi

Wes Studi is a veteran Hollywood actor who has appeared in more 50 film and television productions, including Avatar, The Only Good Indian, Skinwalkers, Dances with Wolves, The Last of the Mohicans, Geronimo: An America Legend, Comanche Moon, Streets of Laredo, Mystery Men, The New World, Bury My Heart At Wounded Knee and Seraphim Falls. His official website is http://thestudigroup.com